Willem Kalf (1622-93) - Still-Life with a Nautilus Cup (1662) Museo Thyssen-Bornemisza, Madrid. Although the rarity and fragility of the objects might call to mind questions of transience associated with vanitas painting, these were merely by-products of Kalf’s work, not the driving force behind it. (Haarlem, 1740; reprint, Soest, 1969), 268: “Hoewel wy hier voor gezegt hebben, dat de vermaarde Kalf in de Stillevens boven anderen heeft uitgemunt, heeft hy nochtans, zo min als zyne voorgangers en navolgers, reden van zyne verbeeldingen weeten te geeven, waarom hy dit of dat vertoonde: maar slechts het geen hem in den zin schoot (als een porcelyne pot of schaal, een goude bokaal, een fluit of roemer met wyn, en daar in een citroenschil hangende, een horologie, paerlemoere hoorn op een goude of zilvere voet, een zilvere schaal of bord met persikken, of wel opengesnedene chinaasappelen of citroenen, een tapyt, en diergelyke gewoonlyke dingen) verbeeld, zonder eens zyne gedachten te hebben laaten gaan om iets van belang voort te brengen daar een byzondere zin in stak, of’t geen ergens op toegepast kon worden.”  (Even though we just stated that the famous Kalf was the very best still-life painter, he nevertheless, just as his predecessors and followers never explained the reason for his compositions, why he depicted this or that; but only painted that which fancied him—such as a porcelain pot or bowl, a gold chalice, a flute or roemer with wine, in which dangled a lemon-peel, a pocket-watch, a horn of mother-of-pearls mounted on a gold- or silver base, a silver platter or plate with peaches, or perhaps sliced oranges or lemons, a tapestry, and similar common objects—without ever having considered whether to create something important that had a significant meaning, or that could refer to something.) 2019 г. Still Life with a Chinese Tureen - Willem Kalf - WikiGallery.org, the largest gallery in the world: wikigallery - the largest virtaul gallery in the world with more … [3] In 2010, the painting was treated to remove discolored varnish, inpaint, and overpaint and to bring the tear back into plane. Before Kalf (and other Dutch still life artists), such paintings were considered somewhat inferior, because their subject matter was devoid of any deeper meaning. The National Gallery of Art and Sculpture Garden are temporarily closed. Willem Kalf was the most accomplished proponent of the pronkstilleven, a Dutch term meaning "ostentatious still life." [5]  [5]Porcelain made in China during the reign of Wan Li (1563–1620) was highly valued in the Netherlands. Ewer, Vessels and Pomegranate(1640) by Willem Kalf. Still Life with a Silver Jug and a Porcelain Bowl, Willem Kalf, 1655 - 1660. By: tjjodoin88. Willem Kalf, Still Life with a Silver Ewer. The compositional and stylistic characteristics of this work are so similar to those of other Kalf paintings from the early 1660s that I cannot agree with Claus Grimm’s assessment that the Gallery’s painting is the work of Jurriaen van Streek (1632–1687). See more ideas about Dutch still life, Still life painting, Still life. (Haarlem, 1740; reprint, Soest, 1969), 268: “Hoewel wy hier voor gezegt hebben, dat de vermaarde Kalf in de Stillevens boven anderen heeft uitgemunt, heeft hy nochtans, zo min als zyne voorgangers en navolgers, reden van zyne verbeeldingen weeten te geeven, waarom hy dit of dat vertoonde: maar slechts het geen hem in den zin schoot (als een porcelyne pot of schaal, een goude bokaal, een fluit of roemer met wyn, en daar in een citroenschil hangende, een horologie, paerlemoere hoorn op een goude of zilvere voet, een zilvere schaal of bord met persikken, of wel opengesnedene chinaasappelen of citroenen, een tapyt, en diergelyke gewoonlyke dingen) verbeeld, zonder eens zyne gedachten te hebben laaten gaan om iets van belang voort te brengen daar een byzondere zin in stak, of’t geen ergens op toegepast kon worden.”  (Even though we just stated that the famous Kalf was the very best still-life painter, he nevertheless, just as his predecessors and followers never explained the reason for his compositions, why he depicted this or that; but only painted that which fancied him—such as a porcelain pot or bowl, a gold chalice, a flute or roemer with wine, in which dangled a lemon-peel, a pocket-watch, a horn of mother-of-pearls mounted on a gold- or silver base, a silver platter or plate with peaches, or perhaps sliced oranges or lemons, a tapestry, and similar common objects—without ever having considered whether to create something important that had a significant meaning, or that could refer to something.) Still Life with Ewer, Vessels, and Pomegranate Willem Kalf (Dutch, 1619 - 1693) 104.5 × 80.6 cm (41 1/8 × 31 3/4 in.) Willem Kalf, one of the best-known Dutch painters of still-life compositions. It is a sumptuous still life displaying the sort of costly wares that flowed through the Netherlands during its heyday as a trade center. Willem Kalf. Luxurious possessions of the rich are displayed in these paintings and often belong to the person who commissioned them. It is unclear if Kalf intended for this glass to be seen or if he had painted it out and it was subsequently uncovered by a particularly aggressive restoration at some point in the painting’s history. His still lifes from the Amsterdam period do not contain Dutch cheeses, breads, hams, and pies but rather depict items that had been imported from the far reaches of the world—Venetian glass, Oriental carpets, agate-handled knives, Seville oranges, and, above all, Chinese porcelain. During an earlier restoration, the white highlights in these objects were reinforced, and in some cases, such as the winged bird on top of the center glass, completely invented. Willem Kalf was the most accomplished proponent of the pronkstilleven, a Dutch term meaning "ostentatious still life." There is also evidence of damage to some of the glassware, namely the center glass, and the glass on the proper left side. His banquet pieces and lavish representations of fine objects were in great demand. Priceless objects crowd the corner of a stone table in Kalf's composition. With its off-center pyramidal composition, this Still Life is a quintessential example of a compositional format that Kalf used in the late 1650s and early 1660s. From Encyclopaedia Britannica Netherlands during its heyday as a trade center Silver, pewter and gilt..., 1644 India... 2017 - Explore Аrtem Mukhin 's board `` Willem Kalf was the leading still-life painter in Holland the. 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